Writing Day Workshops is excited to announce The 2019 Cincinnati Writing Workshop — a full-day “How to Get Published” writing event in Cincinnati, OH, on May 18, 2019.
This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (150 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2019 Cincinnati Writing Workshop!
WHAT IS IT?
This is a special one-day “How to Get Published” writing workshop on Saturday, May 18, 2019, at the Hilton Cincinnati Netherland Plaza. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.
This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s faculty so far includes:
- [NEW ADDITION] literary agent Aimee Ashcraft (Brower Literary)
- [NEW ADDITION] literary agent Cyle Young (Hartline Literary)
- literary agent Vicki Selvaggio (Storm Literary)
- literary agent Denise Barone (Barone Literary)
- literary agent Bob Hostetler (Steve Laube Agency)
- and more possibly coming soon
By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Jessica Bell of Writing Day Workshops, with help from local writing groups.
THIS YEAR’S PRESENTER/INSTRUCTOR
Chuck Sambuchino (@chucksambuchino) is a freelance editor, bestselling book author, and former longtime staffer for Writer’s Digest Books. For many years he edited the GUIDE TO LITERARY AGENTS and the CHILDREN’S WRITER’S & ILLUSTRATOR’S MARKET. His Guide to Literary Agents Blog was one of the largest blogs in publishing, and he wrote the platform guidebook CREATE YOUR WRITER PLATFORM. His humor book, HOW TO SURVIVE A GARDEN GNOME ATTACK, was optioned by Sony Pictures. Chuck’s books have been mentioned in Reader’s Digest, USA Today, the New York Times, The Huffington Post, Variety, New York Magazine, Buzzfeed, Mental Floss, New York magazine, and many more media outlets. He is a successful freelance editor of queries, synopses, and manuscripts—seeing dozens of clients get agents or book deals following his consultations/edits. He loves meeting new writers.
EVENT LOCATION & DETAILS
9:30 a.m. – 5:00 p.m., Saturday, May 18, 2019, at the Hilton Cincinnati Netherland Plaza, 35 W 5th St, Cincinnati, OH 45202. (513)421-9100. If you are interested in a hotel room at the event hotel, there is a courtesy block for the conference. Or you can make reservations by phone (1-800-445-8667) and use the group code WDW.
WORKSHOP SCHEDULE (SATURDAY, MAY 18, 2019)
8:30 – 9:30: Check-in and registration at the event location.
9:30 – 10:30: “An Overview of Your Publishing Options Today.“ This workshop examines the two largest routes any writer can take with their book: traditional publishing and self-publishing / e-publishing. We will examine the upsides of both routes, the challenges with both, and the next steps no matter what you decide. In today’s publishing world, a writer has to understand what they’re in for before they send their book out. This session is designed to prepare them for what’s to come and what options exist.
10:30 – 11:45: “Everything You Need to Know About Agents and Query Letters.” This workshop is a thorough crash course in dealing with literary agents. After quickly going over what an agent is and what they do for writers, we will discuss resources for finding agents, how to ID the best agents for you, query letter writing, as well as the most important things to do and not to do when dealing with representatives.
11:45 – 1:15: Lunch on your own. There are several restaurants within quick driving distance on the block.
1:15 – 2:30: “Writers’ Got Talent: A First Pages Critique-Fest.” In the vein of American Idol or America’s Got Talent, this is a chance to get your first page read (anonymously — no bylines given) with our 4 attending agents commenting on what was liked or not liked about the submission. Get expert feedback on your incredibly important first page, and know if your writing has what it needs to keep readers’ attention. (All attendees are welcome to bring pages to the event for this session, and we will choose pages at random for the workshop for as long as time lasts.)
2:50 – 3:50: “How to Market Yourself and Your Books: Talking Author Social Media, Blogging, and Platform.” Whether you’re traditionally published or self-published, everyone could use some helpful guidance on how to effectively market themselves and sell more books. This session includes easy-to-understand advice on social media (Twitter, Facebook, more), blogging, and other simple ways you can market your work online cheaply and easily.
4:00 – 5:00: “Ten Keys to Writing Success.“ Learn 10 things you can be doing right now that will help get your book(s) published and have more control over your writing destiny. This is a general course that addresses commonsense things any writer can do to give their work the best shot at getting published, such as writing the best thing they can, stealing from themselves, and why writing for love and money is a good idea.
All throughout the day: Agent & Editor Pitching.
PITCH AN AGENT!
Vicki Selvaggio is a literary agent with Storm Literary (formerly with Jennifer De Chiara Literary). Vicki comes to Storm Literary Agency as a Literary Agent and Partner. Previously with The Jennifer De Chiara Literary Agency, she was drawn to the publishing scene first as an author. As a prior Regional Advisor for SCBWI Northern Ohio, Victoria’s desire to help writers and illustrators reach their publications goals inspired her to become an agent. With over twenty-five years as a business owner, Victoria is excited to help grow the agency’s client base with talented writers and illustrators, while also helping build the agency from within with motivated agents who possess the same ideals, literary interests, goals, and approaches to the industry.As a frequent presenter at conferences, library events, contests, etc., Victoria is always interested in meeting writers and illustrators, and hearing about unique projects! While Storm Literary is primarily a children’s book agency, Victoria will be accepting pitches for new adult and adult projects from conference attendees. She is seeking: “I am currently looking for lyrical picture books, middle grade and young adult fiction, new adult, mysteries, suspense, thrillers, paranormal, fantasy, narrative nonfiction, adult fiction but find I’m especially drawn to middle grade and young adult. I especially love thrillers and all elements of weird, creepy stuff. If it’s out of the box, and it will make me think and think, long after I’m done reading, send it to me! On the flip side, I yearn for books that make me laugh, cry and wonder about the world.
Aimee Ashcraft is a literary agent with Brower Literary & Management. (Aimee is taking the place of her co-agent, Kimberly, who had a scheduling conflict.) Aimee Ashcraft is looking for upmarket and literary fiction, specifically historical fiction, women’s fiction, and YA (all genres). She loves books that pull her in, immersing her in a world she can’t escape until the final sentence. She is looking for original voices and compelling, complex female characters. Aimee is also taking romance pitches on behalf of the agency (specifically co-agent Kimberly Brower). Aimee has loved books since the days of sneakily reading under her desk in elementary school. Thankfully, reading is no longer a punishable offense, and she is busy seeking out stories that feature all-encompassing worlds and compelling female characters. She loves books that are told from an original point of view and are more addictive than a good Netflix binge. Aimee received her BA from Transylvania University and her MA from NYU. She is now based in New York City and is thrilled to be joining Brower Literary and Management.
Cyle Young is a literary agent with Hartline Literary. Cyle is seeking: YA, middle grade, and chapter books; genre fiction, especially romance; love stories; speculative (sci-fi and fantasy); easy readers, picture books and board books; nonfiction (parenting, leadership, ministry, and self-help); and TV pilots and screenplays (specific details at http://www.cyleyoung.com); Cyle is a multiple-genre award-winning author. Winner of more than twenty writing awards, he considers himself a “binge writer” and routinely scribes 30,000 words in a weekend. His book Belly Buttons and Broken Hearts released with Lighthouse Publishing of the Carolinas in 2013. Cyle finds great joy in writing and loves to bounce between crafting epic high fantasy tales, helpful non-fiction parenting books, and getting lost in the melodic rhythm of children’s poetry. He serves as managing editor of http://www.almostanauthor.com, a website devoted to helping aspiring writers become published authors, and is also a monthly contributor to the parenting website, http://www.just18summers.com, and the writing website, http://www.thewriteconversation.blogspot.com.
Denise Barone is a literary agent and the founder of Barone Literary Agency. She is seeking: horror, young adult, new adult, erotic romance, women’s fiction, and romance (single title, category, or historical). She does not want: No picture books, middle grade, sci-fi, fantasy, paranormal, or nonfiction. “I opened my literary agency on June 1, 2010. A lawyer licensed to practice in the State of Ohio and the Commonwealth of Kentucky, I am also a published writer. After writing for many years, I have acquired a knowledge of books, book contracts and the publishing world. I have been a member of RWA since 2000. I do not accept any previously published materials.”
Bob Hostetler is a literary agent with Steve Laube Agency. Bio forthcoming. He specializes in both fiction and nonfiction for the Christian market. In particular, for the Christian market, he is interested in the following fiction genres: contemporary, historical, mystery, romance, suspense, thriller, and selected children’s books. For nonfiction, he seeks nearly all topics written from a Christian perspective – business and leadership, contemporary issues and current events, Christian living, devotionals, humor, marriage and family, parenting, prayer, spiritual growth, teens/young adult, and women’s nonfiction. As a rule, he is not looking for: fantasy, horror, science fiction, speculative fiction, cookbooks, or poetry. Bob is an award-winning author, literary agent, and speaker from southwestern Ohio. His fifty books include Don’t Check Your Brains at the Door (co-authored with Josh McDowell) and The Bard and the Bible: A Shakespeare Devotional. Bob is also the executive director of the Christian Writers Institute (christianwritersinstitute.com).
Lydia Sharp is an editor for Entangled Publishing. Unfortunately, she can no longer make the event.
New agents may be added for the 2019 event at any time. Check back.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)
$139 — [UPDATED] EARLY BIRD base price for registration to the 2019 CWW and access to all workshops, all day, on Saturday, May 18, 2019. As of fall 2018, event registration is now OPEN.
Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are four quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)
“I met my client, Alison Hammer, at the 2017 Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary
“Good news! I signed a client [novelist Aliza Mann]
from the 2017 Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary
“I signed author Stephanie Wright from
the 2018 Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary
“I signed an author [Kate Thompson] that I
met at the 2017 Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary
“I signed novelist Kathleen McInnis after meeting her
at the 2016 Chesapeake Writing Workshop.”
– literary agent Adriann Ranta of Foundry Literary + Media
Add $69 — for an in-depth, personal critique of your one-page query letter from Chuck Sambuchino, former longtime editor of the GUIDE TO LITERARY AGENTS for writer’s Digest Books. (This rate is a special event value for Cincinnati Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?
Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:
- Middle grade and young adult: Faculty member Emma Carlson Berne, a children’s book writer, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you for at least 10 minutes at the workshop to discuss her thoughts, and pass along written critique notes at the meeting. No picture books, please. Emma is the author of dozens of kidlit books, both fiction and nonfiction, both original series and commissioned works (such as Star Wars novels by Disney/Lucasfilm). Emma is a former writer-in-residence of the Cincinnati & Hamilton County Library.
- Literary fiction, mainstream/general fiction, memoir, short stories, historical fiction, mystery, essay / nonfiction: Faculty member Michael Caligaris will get your work in advance, critique the first 10 double-spaced pages of your story, and pass along written critique notes to attendees. Michael is a former literary agent (Holloway Literary) who is now a freelance editor, and also in law school. Michael worked in various publishing jobs since 2013. After earning an MFA in Creative Writing from St. Mary’s College, he co-founded a Bay Area literary magazine, The East Bay Review, and worked for the world’s largest academic science journal, PLOS ONE. He considers the time he taught creative writing to first-generation college students as a turning point in his career, for they inspired him to further seek out those often-overlooked authors writing about family, struggle, class, and race. Though Michael is based in Cincinnati, his hectic teaching schedule keeps him busy on weekends; that means he may be available at the conference itself to meet with attendees for 10-minute meetings to review the critique. If he is not available on May 18, he will be available for the 10-minute meetings via Skype or phone call.
- Women’s fiction, science fiction, fantasy, mystery, thriller: Faculty member Frankie Mallis will get you work in advance, critique the first 10 double-spaced pages of your book, and pass along written critique notes. Frankie is a veteran freelance editor, and her work was formerly represented by the Andrea Brown Literary Agency. Frankie will not be present at the Cincinnati event. Instead of meeting with her for 10 minutes at the event, she will be doing 10-minute Skype/phone calls for any critiques, and also passing along written notes via email.
- More options possibly forthcoming.
How to pay/register — Registration is now open. Reach out to workshop organizer Jessica Bell via email: firstname.lastname@example.org, and she will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by either PayPal or check. Because Jessica plans different workshops, make sure you note that you’re inquiring about the Cincinnati workshop specifically.
Because of limited space at the venue of the Hilton Cincinnati Netherland Plaza, the workshop can only allow 150 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.
Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.
How to Register: The easy first step is simply to reach out to workshop organizer Jessica Bell via email: email@example.com. She will pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The CWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Jessica plans different workshops, make sure you note that you’re inquiring about the Cincinnati workshop specifically.
Refunds: If you sign up for the event and have to cancel for any reason, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments are completely non-refundable if the instructor has already edited your letter.)