The 2026 Cincinnati Writing Workshop: May 16, 2026

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After successful previous events in Cincinnati, Writing Day Workshops is excited to announce The 2026 Cincinnati Writing Workshop — a full-day in-person “How to Get Published” writing event in Cincinnati, OH on Saturday, May 17, 2026

This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (150 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2026 Cincinnati Writing Workshop! We are very proud of our many success stories where attendees sign with agents following events — see our growing list of success stories here.

(Please note that this is an in-person event. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next CWW is an in-person event happening in Cincinnati on Saturday, May 16, 2026. See you there.)

To register, click the button above, or email Chuck at WritingDayWorkshops@gmail.com and tell him you’re interested in the Cincinnati event.

WHAT IS IT?

This is a special one-day “How to Get Published” writing workshop on Saturday, May 16, 2026, at the DoubleTree by Hilton Cincinnati-Blue Ash. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.

This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s agent and editor faculty so far includes:

  • literary agent Suzie Townsend (New Leaf Literary & Media)
  • literary agent Rachel Estep (D4E0 Literary)
  • literary agent Jessica Berg (Rosecliff Literary)
  • literary agent Jael Morrill (Jennifer De Chiara Literary)
  • literary agent Heather Osborn (SpencerHill Associates)
  • and possibly more to come

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Chuck Sambuchino of Writing Day Workshops, with assistance from the Cincinnati Fiction Writers.

To register, click the button above, or email Chuck at WritingDayWorkshops@gmail.com and tell him you’re interested in the Cincinnati event.

EVENT LOCATION & DETAILS:

9:30 a.m. – 5 p.m., Saturday, May 16, 2026: DoubleTree by Hilton Cincinnati-Blue Ash, 6300 E Kemper Rd, Cincinnati, OH 45241.

(Please note that this is an in-person event. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next CWW is an in-person event happening in Cincinnati on Saturday, May 16, 2026. See you there.)

WORKSHOP SCHEDULE & INSTRUCTORS (MAY 16, 2026)

8:30 – 9:30: Check-in and registration at the event location.

9:30 – 10:30: Session 1

1. How to Write a Query Letter That Gets Agent Attention. If you want an agent to represent your work, it all starts with a compelling query letter.

2. Beyond the Book Deal: How to Navigate Social Media and Build an Effective Brand. This workshop will discuss the importance of an author’s platform. This class will help you understand the very basics of marketing yourself and your book(s) online, whether you’re traditionally published or self-published.

10:45 – 11:50: Session 2

1. Conquering the Novel. This workshop helps writers develop a plan for organizing, writing, re-writing, and finishing their novel.

2. Plotting Arcs and Compelling Narratives. A great work of fiction requires excellent pacing to move the reader past those first pages and to propel them to the very end.

11:50 – 1:15: Lunch on Your Own

You have 85 minutes on your own to break and eat.

1:15 – 2:30: Session 3

1. “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

2. How to Sell a Nonfiction Book Proposal. This session focuses on effective strategies for writing a nonfiction book proposal on any subject.

2:45 – 3:45: Session 4

1. Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from CWW attendees. Bring your questions and get them answered in this popular session.

2. Lost In Revisions—How to Self-Edit Your Manuscript. This session will teach the foundations of self-editing, focusing on high level plot and and continuing down into the nitty gritty of grammar.

4:00 – 5:00: Session 5

1. Make Your First Five Pages Amazing. You have five pages to impress an agent–make them count.

2. Story Lessons from Hollywood. How lessons from screenwriting, acting, directing, producing, and video editing can help prose writers craft more compelling stories and keep readers turning those pages.

All throughout the day: Agent & Editor Pitching.

PITCH AN AGENT OR EDITOR!

Suzie Townsend is a literary agent with New Leaf Literary & Media. In women’s fiction, she’s looking for upmarket/book club, historical that explores cultural heritage (particularly untold non-European historical events), contemporary fiction that exposes a new light on a topical issue, or that features quirky, dysfunctional families. She also loves magical realism in the vein of Sarah Addison Allen or Alice Hoffman. She’s also especially interested in psychological suspense. In Romance, she’s a fan of strong characters with agency who are proactive participants in their own stories. In science fiction & fantasy in both the Adult and YA spectrum, Suzie loves strong characters and voice-driven stories that break out of the typical tropes of their genres. In contemporary YA, she’s particularly looking for authentic teen voices and raw emotional stories, as well as novels that tackle social justice issues with nuance and empathy. And in Middle Grade, she’s looking for literary and character driven stories with poignant prose, whether it’s historical, contemporary, magical realism, or even fantasy. Learn more about Suzie here.

Heather Osborn is a literary agent with Spencerhill Associates. Heather is interested in representing works of popular fiction, mainly concentrated on romance of all genres and sub-genres other than inspirational—with a particular interest in romantasy (and if there are dragons, all the better!), humorous contemporary romance, and paranormal romance. Beyond that, she also seeks ​new adult, cozy fantasy, romantic fantasy, urban fantasy, space opera, cozy mystery, and women’s fiction with strong romantic elements. Learn more about Heather here.

Jessica Berg is a literary agent with Rosecliff Literary. In fiction, she seeks: Alternate History/Historical Fantasy, Contemporary Fantasy, Contemporary Romance, Historical Fiction, Twisty Thrillers, Upmarket/Book Club Fiction, YA, and Women’s Fiction. In nonfiction, she seeks: Cookbooks, Travel Guides, Memoir – Military Women Adjacent, and Self-Help with a Witchy Vibe. Learn more about Jessica here.

Rachel Estep is a literary agent with D4EO Literary Agency. She is seeking: literary fiction; mainstream fiction; all types of middle grade and young adult (especially that centers underrepresented voices); voicey, high-stakes psychological thrillers; stories that mess with your head in the best way; gothic fiction that blends deep senses of foreboding with modern themes; true crime projects that dig deeper than the headlines and center empathy alongside the horror; queer romcoms that bring the banter, the swoon, the spice, and a whole lot of heart; historical fiction driven by complex, unforgettable women in the style of Marie Benedict. Learn more about Rachel here.

Jael Morrill is a literary agent with The Jennifer De Chiara Literary Agency. Adult fiction and young adult fiction wishlist for Jael: “I am eager to represent richly immersive science fiction and fantasy. I love seeing fresh takes on noir thrillers, horror with hope at the core of the story, and campy mysteries— especially if they contain speculative elements. Stories that contain queer characters, whimsical world-building, and witty but grounded dialogue are often my favorite things to read.” Nonfiction wishlist for Jael: “I would love to see books that focus on rarely told history, have a focus on cultural anthropology, or have to do with the arts. Memoirs from marginalized voices are especially welcome. Topics covering disability, queer experiences, and those hurt by fundamentalist movements are especially close to my heart, though I always welcome learning something new.” Learn more about Jael here.

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ADDED ONLINE PITCHING: To ensure that writers have a robust and diverse lineup of agents & editors to pitch, 2026 Cincinnati Writing Workshop attendees will have the ability to also pitch literary agents at a specific Writing Day Workshops *online* event that follows the 2026 CWW on our calendar.

That event is the 2026 (Online) Chesapeake Writing Workshop, August 14-15, 2026, which will have 30-40 agents taking one-on-one Zoom virtual pitches. This means that 2026 CWW attendees can have access to pitching all those online Chesapeake WW agents — pitches still at $29 each — without being a formal registrant for the online August 14-15, 2026 event.

(That said, if you want to formally register for the August online Chesapeake Writing Workshop and have access to all classes and panels, let us know, as there is a discount for confirmed Cincinnati attendees.)

If you are interested in this added pitching opportunity, the first step is to get formally registered for Cincinnati. Following the conference on May 16, 2026, we will be in touch with all Cincinnati attendees and ask them if they want to partake in pitching online agents at the 2026 online CWW (August 14-15, 2026). At that time, you can communicate your pitch requests and purchase meeting time.

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         More agents may be added at any time.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

PRICING

$169 — EARLY BIRD base registration pricing for 2026.

To register, click the button above, or email Chuck at WritingDayWorkshops@gmail.com and tell him you’re interested in the Cincinnati event.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)

“I met Mai Nguyen at the Toronto Writing Workshop and sold her manuscript to Simon & Schuster for six figures.”
– literary agent Carly Watters of P.S. Literary Agency

“I signed Sarah G. Pierce from the Seattle Writing Workshop, and we recently sold her book to Orbit/Redhook.”
– literary agent Pam Gruber of Highline Literary Collective

“I met Amber Cowie at a Writing Day Workshops conference. We sold her best-selling crime novel to Lake Union / Amazon.”
– literary agent Gordon Warnock of Fuse Literary

“I met my client, Dana Corbit Nussio, at the Michigan Writing Workshop. Dana signed a new three-book contract with Harlequin Romantic Suspense.”
– literary agent Rachel Beck of Liza Dawson Associates

“I signed Nedda Lewers from a Writing Day Workshops event. Her debut novel from Putnam Children’s was an Indie’s Introduce Best Book of 2024.”
– literary agent Kelly Dyksterhouse of Tobias Literary Agency

Add $69 — for an in-depth, personal critique of your one-page query letter from instructor Chuck Sambuchino, who previously taught at this Cincinnati workshop. (This rate is a special event value for Cincinnati Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees will either 1) get an in-person meeting at the workshop, if the faculty member is attending the live event, or 2) get a 15-minute phone call with the faculty member, and have notes passed along via email, if the critiquer is not attending the live event. Options:

  • All adult fiction genres and categories (except for sci-fi) (virtual critiques): Faculty member Tayler Hill, an author and publishing house assistant, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Romance, women’s fiction, domestic suspense, and young adult fiction (virtual critiques): Faculty member Swati Hegde, an author and freelance editor, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Memoir, as well as children’s picture books (virtual critiques): Faculty member Eve Porinchak, a published author and former agent, will get your work in advance, critique your picture book (or 10 pages if memoir), meet with you online (Zoom, etc.) or by phone for 15 minutes sometime around the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. If you submit a picture book, it must be 1,000 words or fewer (can have illustrations or not).
  • All types of adult fiction (except erotica); all types of young adult fiction and middle grade; Christian fiction; screenplays and TV scripts (virtual critiques): Faculty member Jaimie Engle, a screenwriter, will get your work in advance, critique the first 10 double-spaced pages of your book, talk with you virtually (Zoom/phone) for 15 minutes workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Science fiction, fantasy, romance, horror, young adult SFF, urban fantasy (virtual critiques): Faculty member Wesley Chu, a published novelist, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss his thoughts, and pass along written critique notes before or after the meeting.
  • More critique options possibly forthcoming

How to pay/register — Registration is now open.

To register, click the button above. Or reach out to workshop organizer Chuck Sambuchino via email: WritingDayWorkshops@gmail.com. He will pass along registration information to you, and give instructions on how to pay by credit card, PayPal, or check. Once payment is complete, you will have a reserved seat at the event. The CWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Chuck plans different workshops, make sure you note that you’re inquiring about the Cincinnati workshop specifically.

REGISTRATION

Because of limited space at the venue of DoubleTree by Hilton Cincinnati-Blue Ash, the workshop can only allow 150 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.

(Please note that this is an in-person event. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next CWW is an in-person event happening in Cincinnati on Saturday, May 16, 2026. See you there.)

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register:

To register, click the button above. Or reach out to workshop organizer Chuck Sambuchino via email: WritingDayWorkshops@gmail.com. He will pass along registration information to you, and give instructions on how to pay by credit card, PayPal, or check. Once payment is complete, you will have a reserved seat at the event. The CWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Chuck plans different workshops, make sure you note that you’re inquiring about the Cincinnati workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments are completely non-refundable if the instructor has already edited your letter.)

Thank you for your interest in the 2026 Cincinnati Writing Workshop.

Get to Know an Agent in Attendance: Suzie Townsend of New Leaf Literary & Media

Suzie Townsend is a literary agent with New Leaf Literary & Media.

Prior to joining New Leaf, Suzie graduated film school, earned her Masters of Education, taught high school English, and coached a swim team. In her spare time, she read everything she could, which prompted her move to publishing. She got her start as an intern at FinePrint Literary Management where she was hired as an assistant before making the move to literary agent. She’s been part of the team at New Leaf Literary & Media since its inception in 2012. Suzie loves strong characters and voice-driven stories that break out of the typical tropes of their genres, and she’s always looking for unique new voices in stories.

SUZIE IS LOOKING FOR:

Women’s Fiction, Psychological Suspense, Romance, Fantasy, Science Fiction, Young Adult and literary Middle Grade. She’s especially looking for inclusive and diverse stories with new and unique voices in all genres and age groups.

In Women’s Fiction, she’s looking for upmarket bookclub fiction, historical that explores cultural heritage particularly untold non-European historical events, contemporary fiction that exposes a new light on a topical issue, or that features quirky, dysfunctional families. She also loves magical realism in the vein of Sarah Addison Allen or Alice Hoffman. She’s also especially interested in Psychological Suspense featuring strong and complicated protagonists who have dark secrets.

In Romance, she’s a fan of strong characters with agency who are proactive participants in their own stories. She enjoys when the heroes/heroines act against their stereotypes and surprise her while still being swoonworthy. Some of her favorite historical romance authors are Lisa Kleypas, Julia Quinn, and Courtney Milan. In contemporary, she loves high concept trope driven stories by authors like Christina Lauren and Jill Shalvis, and she’d love to a great and dark romantic suspense series like Karen Rose and Elle Kennedy.

In SFF in both the Adult and YA spectrum, Suzie loves strong characters and voice-driven stories that break out of the typical tropes of their genres. She’s a huge fan of expansive world building and atmospheric settings. She’s excited about stories rooted in history, mythology and legends, especially those that are lesser-known or underrepresented in traditional publishing.

In contemporary YA, she’s particularly looking for authentic teen voices and raw emotional stories that will make her laugh, cry, and swoon, as well as novels that tackle social justice issues with nuance and empathy. Some of her YA favorites are The Sun is Also a Star, I’ll Give You the Sun, All the Bright Places, Before I Fall, Where She Went, Simon vs the Homo Sapiens Agenda and The Hate U Give

And in Middle Grade, she’s looking for literary and character driven stories with poignant prose, whether it’s historical, contemporary, magical realism, or even fantasy. In addition to the novels she’s worked on, some of her favorites are Savvy, When You Reach Me, Summer & Bird, Lost in the Sun, The Thing About Jellyfish,Brown Girl Dreaming, Inside Out and Back Again, The Girl Who Drank the Moon, and Wolf Hollow. She’s also an animal lover and a sucker for beautifully written emotional stories that involve animals like A Dog’s Way Home and Pax.

Suzie loves novels with a commercial hook, compelling storytelling, and beautiful writing, and she’ll follow a character that she loves anywhere. She’s excited to add more writers of diversity (including, but not limited to, all ethnicity, sexual orientation, mental and physical health, and socioeconomic status) to her list.

Fun facts about her:

I have two dogs (Slevin and Fate) and a cat (she adopted us and answers to Pumpkin, Scarface, and Cat). I bought a television in order to watch Game of Thrones and I read so many books in an elementary school reading competition that my teacher thought I was lying.